Bio

Ms. Johnson is a 34-year veteran of the dance field, has appeared in over 50 tours and taught for dance companies and colleges on five continents. An honors graduate of the National Ballet School, she was a soloist with The National Ballet of Canada and principal dancer and researcher with Ballet Frankfurt.

A world-renowned expert on choreographer William Forsythe, Ms. Johnson has been a close collaborator of Forsythe’s for three decades. She stages Forsythe's ballets on companies worldwide, including The Paris Opera Ballet, La Scala, The Norwegian National Ballet, Alterballetto, Netherlands Dans Theater, Scottish Ballet, Finnish National Ballet, The National Ballet of Canada, Pacific Northwest Ballet, Batsheva Dance Company, American Ballet Theatre, San Francisco Ballet, and Boston Ballet.

Her recent choreographic work includes The Copier for Cedar Lake Contemporary Ballet; Room/Room for NYU; 27 for 17 for The New School University; As Yet Unnamed for the Movement Invention Project Collective; Folding Articulation for Princeton University, Waterline for Barnard College at Columbia University, Solo for Jeff for The Juilliard School; Strut for Boston Ballet II, and a new commissioned work for The National Ballet School of Canada's Assemblée Internationale.

At Harvard, Ms. Johnson has choreographed 13 original works for students including, The Art of Survival, for Harvard's Observance of September 11th and a collaboration between the Mahindra Center for Humanities and the American Repertory Theater; RE: RE: RE: a dance installation, and works which were a part of curricular courses: The Sound of Distance in Itself, Dog in a Sweater, Paper Wing and SEESAW, LOOK UP, Degrees of Difference, and for the Harvard Dance Project, WHAT MOVES YOU? with Francesca Harper and Mario Zambrano, and WUNDER with artist-in-residence Sidra Bell.

She also choreographs for film, television, theater and opera productions. Notably, a series of dance film shorts for Bravo arts channel in Canada, is a featured performer in Forsythe's Clear House Dance, music videos for German techno artist Sven Vaeth and American singer-songwriter David Poe, David Michalek’s Slow Dancing and Slow Dancing/Trio A, and PBS's Poetry in America series with cellist Yo-Yo Ma and actor Cynthia Nixon. For American Repertory Theater she choreographed the opera Crossing and served as movement director for Eve Ensler’s play In the Body of the World in Boston and Manhattan Theater Club in New York City.

She has served as a faculty member and designed curricula for Princeton University, Barnard College at Columbia University, The Juilliard School, New York University's Tisch School of the Arts, The Joffrey School, The New School University, The Ailey School, the YoungArts Foundation, and is a founding collaborator of the Movement Invention Project (MIP) in New York where she has also been Choreographer-In-Residence. Ms. Johnson has taught master classes at Yale University, and Ohio State University where she collaborated on the award-winning OSU/Forsythe Company web-based project Synchronous Objects.

Recent artistic residencies include The New School University and Baryshnikov Arts Center in New York City where she also collaborated with Mikhail Baryshnikov and William Forsythe on a solo for Mr. Baryshnikov. Her awards include the Peter Dwyer Scholarship and the Loewen, Ondaatje, McCutcheon Award for most outstanding effort and achievement in dance at Canada’s National Ballet School; Balletanz Magazine International, Annual Critics' Awards: Most Outstanding Dancer; Time Out New York, Best Choreography in New York, Honorable Mention List for The Copier; Communication Arts Interactive Annual Award for Synchronous Objects.

Recent collaborations include those with the Paris Opera Ballet, Boston Ballet, San Francisco Ballet, Dries Van Noten and the Louvre Musee des Arts Decoratif, Ryuichi Sakamoto, Mikhail Baryshnikov. She has garnered worldwide critical acclaim as a co-collaborator and featured performer in William Forsythe’s new full-length work A Quiet Evening of Dance which premiered at Sadler’s Well’s Theater in London and the Melbourne International Arts Festival in October 2018, and will be performed internationally over the next two years