Potters Linda Christianson and George McCauley have a combined "100 years of experience, travels, workshop histories, exhibitions, stories, studio work and teaching experience.” This two-day Master Class addresses form, surface and a variety of firing methods. Both feel strongly about form as an essential element in their work. The artists will discuss their own specific surface treatments and experience in firing including atmospheric firing, soda, wood and low temperature wood firing.
Two-day Masterclass with Linda Christianson and George McCauley
Wednesday & Thursday November 13 & 14, 2019 10am - 5pm each day
Registration Costs: Adult Community $200, Adult Community enrolled in a course at the Ceramics Program $150, Harvard Graduate Students $80.00 and free for Harvard College Undergraduate Students.
On the first day, the instructors will use wheel throwing and handbuilding techniques to make parts to be put together later. On the second day, they will
Linda Christianson is an independent studio potter who lives and works in rural Minnesota. She studied at Hamline University (St Paul, Minnesota), and the Banff Centre School of Fine Arts (Banff, Alberta, Canada). She exhibits nationally and internationally, including one person exhibits in London and St. Louis. Her pieces are in numerous public and private collections, including the American Museum of Ceramic Art and the Glenboe Museum. An itinerate educator, Linda has taught at colleges and universities, including Carleton College, the Hartford Art School, and the University of Georgia – Athens. She received fellowships from the National Endowment for the Arts, the McKnight Foundation, and the Minnesota State Arts Board. Her recent writing appeared in Studio Potter and The Log Book. One of her goals is to make a better cup each day. https://www.christiansonpottery.com
George Metropoulos McCauley, known for his pottery and narrative sculpture, has been influenced by his interest in Asia, ritual, mysticism, folk art and his Greek Heritage. He identifies his approach to handling clay as casual and finds common ground with the Momoyama Period, Bizen and Iga Ware. Typically his pots are decorated with colorful non-literal floral designs applied with his fingers, hands as well as brushes mixed on the clay surface in a painterly approach. McCauley also does high temperature wood firing and is in the forefront in the low fire wood firing movement. He is equally known for his Wood Fire/ Red Neck Majolica Process and George’s House of Clay Wednesday Night Videos Series on Instagram and You Tube.
Along with his functional ware, McCauley makes narrative sculpture combining clay with wood, metal, found and handmade spurious archival objects. In addition to his work in clay, McCauley has made several films related to ceramics, helping craft the stories, makers and development of the field. He has also developed exchange programs which bring Asian and American potters together in order to travel, work and exhibit.
Among the media exposure about McCauley and his work is “ Bridging the Pacific” a 2012 film by Nagamura Hisaaki, Director’s Work Films in Association with ASO TV in Kumamoto, Japan. The film details his work and exhibitions in Japan. https://www.georgeshouseofclay.com