Nam June Paik: Screen Play presents a group of works by groundbreaking global artist Nam June Paik (1932–2006).
Presented by: Harvard Art Museums
Admission: General Museum Admission Ticket
Paik was born in Korea but spent much of his life in the United States; his practice combined music, performance, sculpture, painting and drawing, video, and broadcast television, among other media.
Drawn entirely from the Harvard Art Museums collections, the exhibition reveals the striking breadth of Paik’s oeuvre from the 1960s through early 2000s. Eight of the works featured are recent gifts from Ken Hakuta, the artist’s nephew; he has generously established the Nam June Paik Fellowship to expand knowledge about the artist, his work, and his influences. The objects on view—many of which are being exhibited at the museums for the first time—include TV Crown (1965/99), a television modified to visualize sound waves on its screen, and an iconic TV Buddha (2004), part of the artist’s exploration of closed-circuit television. Together, they represent themes central to Paik’s work, including the subversion of conventional technologies and media, the potential of moving images to explore alternative temporalities, and technology’s concern with aging and obsolescence. The works also demonstrate Paik’s playful, often ironic approach.
In addition, the exhibition draws attention to Paik’s enduring interest in artistic collaboration, from his early association with John Cage and others active in the postwar avant-garde music scene to his lifelong friendships with Charlotte Moorman and Joseph Beuys. Several works on view relate directly to the artist’s involvement with the Fluxus group, whose interest in revolutionizing artistic distribution had a lasting influence on Paik’s thinking. The exhibition also features two videos that the artist made in conjunction with WGBH, Boston’s public television station, where he developed some of his most important projects in the late 1960s and early ’70s.
Organized by the Harvard Art Museums. Curated by Mary Schneider Enriquez, the Houghton Associate Curator of Modern and Contemporary Art, with Marina Isgro, the 2017–19 Nam June Paik Research Fellow, Harvard Art Museums.
The exhibition received support from the Rosenblatt Fund for Postwar American Art. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer, Jr., Fund for Modern and Contemporary Art.