Artist Talk: Howardena Pindell


Thursday, November 9, 2017, 6:00pm


Level 0, Lecture Hall, Carpenter Center for the Visual Arts, 24 Quincy St

Howardena Pindell, Till Birnam Wood Remove to Dunsinane (Macbeth, Act 5, Scene 3), 1991. Mixed media on canvas. Courtesy of the artist and Garth Greenan Gallery.Howardena Pindell will present her work in conversation with Naomi Beckwith and Valerie Cassel Oliver, co-curators of What Remains to be Seen. The exhibition is the first major survey of the Pindell’s work and opens at MCA Chicago in 2018 and Virginia Museum of Fine Arts in 2019.

Presented byCarpenter Center for the Visual Arts
Admission: Free and open to the public
Hours: Galleries: 12–6, Wed–Sun
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Howardena PindellHowardena Pindell was born in Philadelphia in 1943 and studied painting at Boston University and Yale University. After graduating, she accepted a job in the Department of Prints and Illustrated Books at the Museum of Modern Art, where she worked for 12 years (1967–1979). In 1979, she began teaching at the State University of New York, Stony Brook, where she is now a full professor. Her work has also been featured in many landmark museum exhibitions, such as Contemporary Black Artists in America (1971, Whitney Museum of American Art), Rooms (1976, P.S. 1 Contemporary Art Center), Another Generation (1979, The Studio Museum in Harlem), Afro-American Abstraction (1980, P.S.1 Contemporary Art Center), The Decade Show: Frameworks of Identity in the 1980s (1990, New Museum of Contemporary Art, New York), Bearing Witness: Contemporary Works by African-American Women Artists (1996, Spelman College Museum of Fine Art, Atlanta), Energy/Experimentation: Black Artists and Abstraction, 1964–1980 (2006, The Studio Museum in Harlem), High Times, Hard Times: New York Painting, 1967–1975 (2006, Weatherspoon Art Museum, University of North Carolina, Greensboro), WACK! Art and the Feminist Revolution (2007, Museum of Contemporary Art, Los Angeles), Target Practice: Painting Under Attack, 1949–1978 (2009, Seattle Art Museum), and Black in the Abstract: Part I, Epistrophy (2013, Contemporary Arts Museum, Houston).