Harvard Museum of Natural History, 26 Oxford Street
Glowing under black lights, luminescent paintings by California artist Lily Simonson embody a synergy between art and science that reveals new ways of seeing and understanding life forms in the deep ocean.
Presented by: Harvard Museum of Natural History More information here.
We'll discuss, explore, and destroy some of the common ceramic myths. We will discuss topics such as "No, opening your kiln early does not cause crazing" and " Gas escaping from your clay can't cause pin-holing. Physics doesn't work that way." as well as others. We will wash away the nonsense, and fill you with optimism and information.
Matthew Katz has taught ceramic materials for artists at Alfred University for over 15 years. He is a working ceramic artist with a B.F.A from Alfred and M.F.A. from the University of Colorado-Boulder and has worked as a Ceramic Engineer and researcher for almost 20 years.
This lecture is free and open to the public. Sign up below!
Artist In Residence 2018-19 at Ceramics Program, Office for the Arts at Harvard
Natalia Arbelaez is a Colombian American artist, born and raised in Miami, Florida. She received her B.F.A. from Florida International University and her M.F.A. from The Ohio State University, where she received an Enrichment Fellowship. She completed a yearlong residency at the Clay Art Center; Port Chester, New York as a Barbara Rittenberg Fellow and was awarded the 2016 Inaugural Artaxis Fellowship that funded a residency to the Watershed in Newcastle, Maine. Her work has been exhibited nationally, in museums, galleries, and included in various collections. She has been recognized by the National Council on Education for Ceramic Arts as a 2018 Emerging Artist in the field. Natalia currently lives and works in New York.
Amid the devastation following World War II, German artists and filmmakers engaged in technical experimentation that drew upon multiple media as they sought to redefine the nature of artistic practice and its relationship to national identity. Among these experimental forms was cameraless animation, a method of abstract filmmaking that involves the direct manipulation of film through scratching, puncturing, painting, and chemical alteration of emulsion.
For nearly four decades, David Levinthal has used the Polaroid format to explore the intersection between myth, fantasy, history, and memory in American culture by meticulously staging tableaus of figurines, dolls, and ephemera. The works reveal the role images play in shaping cultural memory, while also illustrating how cultural memory is rehearsed and enforced in material culture.
Ethan Lasser, head of the Division of European and American Art and the Theodore E. Stebbins Jr. Curator of American Art, will give today’s gallery talk. The talk is part of a series about American art, which is intended for beginners, enthusiasts, and people who just like looking at art.