Harvard Museum of Natural History, 24 Oxford Street, Cambridge, MA 02138
Celebrate the fiftieth anniversary of the 1969 moon landing at this one-of-a-kind evening event exclusively for guests 21+. Enjoy cocktails, beer, light refreshments, and 60s music, as well as moon-inspired...Read more about A Lunar Soirée
Join us for free pizza and conversation during ArtsBites, a round-table discussion with students, vocalist Davóne Tines '09 and composer Michael Schachter '09, collaborators on The Black Clown at American Repertory Theater.
A spectacle of epic proportions! Sophocles’ Antigone will feature a new theatrical score performed by a small army of chorus members, a dynamic set that breathes with the action, and undergraduate, faculty and professional actors, who will launch this ancient script into the heart of...
A concert featuring pianist André Watts, with the Harvard-Radcliffe Orchestra, conducted by Federico Cortese.
Presented by: Office for the Arts as part of the ARTS FIRST festival (April 26-29)
Admission: Free and open to the public. Tickets available at 3:30 pm at the door on April 27.
Legendary pianist and professor of music André Watts is the recipient of the 2018 Luise Vosgerchian Teaching Award, Harvard’s highest music award recognizing an outstanding educator. Watts will receive the award during a free concert and ceremony 5:30 p.m. April 27 at Sanders Theatre, where he will perform Beethoven’s Piano Concerto No. 5 in E-Flat Major (Emperor Concerto) with the Harvard-Radcliffe Orchestra under the director of Federico Cortese, senior lecturer on music at Harvard University.... Read more about Pianist André Watts to perform Beethoven with Harvard-Radcliffe Orchestra
Cage Shuffle is a 50 minute dance/theater solo. In Cage Shuffle, Paul Lazar speaks a series of one-minute stories by John Cage from his 1963 score Indeterminacy, while simultaneously performing a complex choreographic score by Annie-B Parson.
The performance of the Austen Trio from England is an interdisciplinary event, which is made possible thanks to the generous financial support of Harvard's Provostial Fund for the Arts and the Humanities Harvard University Department of English, Harvard University Department of Music & Office for the Arts at Harvard