This documentary film about the habesha (Eritrean/Ethiopian community) of Milan, Italy, engages in historical disruption of the relationship between colonialism and diaspora. Interweaving testimonies of first- and second-generation habesha immigrants in Milan, archival research, photography, and music, the film brings to light Italian postcolonial heritage and its effects on present-day place of Italians of color, immigrants, and refugees.
Cultural production in postwar Germany was shaped by variety of oppositions: memories of the war’s horrors competed with fragile optimism for the future; renewed artistic freedoms came up against material scarcity and widespread destruction; and a growing appetite for experimentation and invention met with a lingering Nazi-inflected suspicion of anything too modern.
This exhibition features the work of Houghton Library’s 2017 cohort of undergraduate fellows. Currently entering its fourth year, the Houghton Undergraduate Fellowship Program offers Harvard College students ten weeks of funded research at the library between June and August.
Artist Pedro Reyes and editor José Luis Falconi discuss Ad Usum / To Be Used, a survey of Reyes’s projects. The publication is a collection of images, interviews, and critical essays intended as an apparatus for multiplying the possibilities when art becomes a resource for the common good.
In this talk, Makeda Best, the Richard L. Menschel Curator of Photography, will be in conversation with Gerd Hurm, Anke Reitz, and Shamoon Zamir, editors of the recently published text The Family of Man Revisited: Photography in a Global Age (I. B. Tauris, 2017). Together they will discuss this landmark 1955 exhibition and how it shaped the ways we look at photography today; explore new contexts for interpreting the exhibition’s messages; and share recent research on its reception.