Join us in welcoming Anne Eder to the lectern to tell us about her interdisciplinary studio practice. Anne uses clay as a sculptural element in her installations and photographic work. Anne will be the instructor for a new course, "Interdisciplinary Projects" - a mixed media, installation class this Summer at the Ceramics program.
Join us in welcoming California-based sculptor Michelle Gregor to the Ceramics Program for an evening demonstration and slide lecture. Gregor will lead students in sculpting the human figure in clay with a live process demonstration, improvisational exercises, and a slide presentation. Participants will learn the construction techniques to help push past the common stumbling blocks of proportion, movement, and balance in constructing the human figure. All skill levels welcome.
Gallery 224 at the Harvard Ceramics Program Presents
HAND CODE: Makers in Proximity
Exhibition Dates: February 23 – March 24 Closing Reception & Panel Discussion: Saturday March 24, 3-6pm - FREE - RSVP
Location: Gallery 224 at Harvard Ceramics Program 224 Western Ave, Allston, Massachusetts 02134
Gallery Hours: 9am - 8pm, Monday - Friday
Two makers, one room, one material. One is spinning pots on an electric potter’s wheel. Another is creating digital designs, sending them to a 3D printer and tending to that machine’s manners of extruding. They are both working in clay. What forms do they produce? What do these very different approaches to creating look like in contrast to one another? What does a 3D Printer look like? How does a potter work in our current time? What can be learned from seeing these two makers in proximity to one another?... Read more about Exhibition | Hand Code: Makers in Proximity
Fred Herbst: Material Collaborations: A unique woodfired kiln was developed by ceramic artist and educator Fred Herbst in collaboration with the Corning Museum of Glass in 2008. This kiln design was built in order to fire ceramics and blow glass simultaneously using renewable wood fuel. Two kilns have been built, one at Corning Community College in Corning, New York and one at the Domaine de Boisbuchet in France, where they both continue to reveal new possibilities with clay and glass.