Fred Herbst: Material Collaborations: A unique woodfired kiln was developed by ceramic artist and educator Fred Herbst in collaboration with the Corning Museum of Glass in 2008. This kiln design was built in order to fire ceramics and blow glass simultaneously using renewable wood fuel. Two kilns have been built, one at Corning Community College in Corning, New York and one at the Domaine de Boisbuchet in France, where they both continue to reveal new possibilities with clay and glass.
Gallery 224 at the Harvard Ceramics Program Presents
HAND CODE: Makers in Proximity
Exhibition Dates: February 23 – March 24 Closing Reception & Panel Seminar: Saturday March 24, 3-6pm
Location: Gallery 224 at Harvard Ceramics Program 224 Western Ave, Allston, Massachusetts 02134
Two makers, one room, one material. One is spinning pots on an electric potter’s wheel. Another is creating digital designs, sending them to a 3D printer and tending to that machine’s manners of extruding. They are both working in clay. What forms do they produce? What do these very different approaches to creating look like in contrast to one another? What does a 3D Printer look like? How does a potter work in our current time? What can be learned from seeing these two makers in proximity to one another?... Read more about Exhibition | Hand Code: Makers in Proximity
Lamont Library, Forum Room, followed by a viewing of the exhibition "Landmarks: Maps as Literary Illustration" and reception, Houghton Library
Artist, freelance illustrator and educator Andrew DeGraff discusses how objective can a mapper be when the subject itself is subjective? It is an exercise that is revealing of the artist, the storyteller, and the story itself as the story is translated from medium to medium.