During this live streamed event, We will engage the audience with the some of the technological innovations the production of this screenplay entails, with discussions of Augmented Reality(AR) will feature prominently. If you are around Campus on Sunday, 5/22, please check it out!
Presented by: Harvard Museum of Natural History Admission: The admission is free, but to fully enjoy the event, it will be worthwhile to buy & read the screenplay beforehand, which is available on Amazon.
Abstract: The Invisibles (Formerly: I, Bachelier Invisible Man)
This is the double epic and tragic life story of the unrecognized genius (Louis Bachelier), who, at the turn of the 20th century, laid down the foundations of mathematical finance upon which Wall Street is built, mirrored through the life of a contemporary, as of yet to be recognized "Black Einstein" (K.) of African origin - A Bachelier look-alike, except that he is Black - who, ignored and discarded, at the turn of the 21st century, has led down the mathematical foundations of Risk Management that would have prevented the 2008 crisis, and his travails in France, on Wall Street where most of the action takes place, in China with Flashbacks to Africa. Read more about ALM Thesis forum presentation of "The Invisibles"
Elizabeth I is in love with Sir Walter Raleigh, but she loses him to Beth Throgmorton and the New World in Henry Koster’s The Virgin Queen (1955). Bette Davis gives her best performance of the 1950s (following All About Eve) as the aging Elizabeth; but a young, ravishing Joan Collins as Throgmorton steals scene after scene. Inspired by monumental history paintings and group portraits, Koster animates the CinemaScope screen with brilliant colors registered through richly ornamented costumes and contrapposto figures arranged in lavish tableaus. Read more about Film: The Virgin Queen
In this film from 1954, the French Revolution and the rise and fall of Napoleon (Marlon Brando) are seen through the eyes of the leader’s first love, Désirée Clary (Jean Simmons). After Napoleon’s defeat at Waterloo, Désirée holds Europe’s fate in her hands, as queen of Sweden. The epic story provides a sweeping historical backdrop, but director Henry Koster uses the widescreen CinemaScope format to offer a philosophical mediation on love and politics amid war and revolution. Read more about Film: Désirée
Presented by: Harvard Organ Society Tickets: Admission Free: No Tickets Required More information>
Step into a 1920s movie palace at Harvard's Memorial Church on the evening of April 22 as HOS screens the 1927 Academy Award-winning silent film "Wings." Live, improvised soundtrack will be provided by organist Peter Krasinski, hailed as "one of the world’s finest—if not the leading—silent film live improvisational accompanists." This will be an epic experience not to be missed!Read more about WINGS: Silent Film with organ accompaniment by Peter Krasinski
Presented by: The Humanist Community at Harvard Tickets: VIP: $110.00 (seating in front of church - limited seating); Full Price: $40.00; Harvard Students: $10.00 (while inventory lasts - 2 tickets per ID, 1 ID per person) How to get tickets:The Harvard Box Office 617-496-2222
In the span of only a few months, 4-year-old Marla Olmstead rocketed from total obscurity into international renown – and sold over $300,000 dollars worth of paintings. She was compared to Kandinsky and Pollock, and called “a budding Picasso.” And then, five months into Marla’s new life as a celebrity and just short of her fifth birthday, a bombshell dropped. CBS’ 60 Minutes aired an exposé suggesting strongly that the paintings were painted by her father, himself an amateur painter. As quickly as the public built Marla up, they tore her down.Read more about "My Kid Could Paint That" Screening + Panel
Menschel Hall, Lower Level, Harvard Art Museums, 32 Quincy Street. Please enter the museums via the entrance on Broadway.
Presented By: Department of History of Art and Architecture at Harvard University, in partnership with the Harvard Art Museums ADMISSION: This exhibition is free and open to the public. Following the screening, there will be a conversation between director Judith Wechsler and Benjamin Buchloh, the Andrew W. Mellon Professor of Modern Art in Harvard’s History of Art and Architecture department.
Written and directed by Judith Wechsler, Aby Warburg: Metamorphosis and Memory (2016; 60 min.) tells the story of this innovative and influential art historian. With interests that ranged from the Italian Renaissance to Hopi ritual dances, from frescoes to postage stamps, Warburg sought to combine the fields of art history, anthropology, and religion. He explored the afterlife of antiquity, the tensions between the Apollonian and the Dionysian, and the secular and religious in Renaissance paintings of Italy, Germany, and the Netherlands. Told largely through Warburg’s own words and interviews with leading Warburg scholars, this documentary traces the development of his ideas in the context of his life and times. Read more about Film Screening: Aby Warburg: Metamorphosis and Memory